Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Ables, Mollie |
Wild Side: Self-Styling and the Aesthetics of Metal in the Music Videos of Mötley Crüe |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
99-108 |
| Allué Montilla, Ivan |
Mujeres, rock & heavy metal: ?quién dijo sexo débil? |
2017 |
|
|
|
| Åshede, Linnea; Foka, Anna |
Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
97-114 |
| Barron, Lee |
Dworkin’s nightmare: Porngrind as the sound of feminist fears |
2013 |
Heavy metal: controversies and countercultures |
|
66-82 |
| Bartosch, Roman |
Kanon-Subversion und Geschlechts(de)konstruktion in den Lyrics von Cradle Of Filth |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
124-140 |
| Bartosch, Roman (ed) |
Heavy Metal Studies: Lyrics und Intertextualität |
2011 |
|
|
|
| Beauchamp, Caroline |
Gender and Extreme Metal: Understanding Gender Relations in the Montreal Extreme Metal Scene With Schippers' Gender Framework |
2021 |
|
|
|
| Becknell, Milton E.; Firmin, Michael W.; Hwang, Chi-en; Fleetwood, David M.; Tate, Kristie L.; Schwab, Gregory D. |
Effects of Listening to Heavy Metal Music on College Women: A Pilot Study |
2008 |
College Student Journal |
42 |
24-35 |
| Bellemare, Luc |
Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
193-208 |
| Berkers, Pauwke; Schaap, Julian |
Gender Inequality in Metal Music Production |
2016 |
|
|
|
