| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Clifford-Napoleone, Amber R. |
Queerness in Heavy Metal Music: Metal Bent |
2015 |
|
|
|
|
|
|
Clifford-Napoleone, Amber R. |
Queerness in heavy metal music: metal bent |
2017 |
|
|
|
|
|
|
Nilsson, Magnus |
Race and Gender in Globalized and Postmodern Metal |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
258-272 |
|
|
|
Riches, Gabby |
Re-conceptualizing women’s marginalization in heavy metal: A feminist post-structuralist perspective |
2015 |
Metal Music Studies |
1 |
263-270 |
|
|
|
Bellemare, Luc |
Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
193-208 |
|
|
|
Fast, Susan |
Rethinking issues of gender and sexuality in Led Zeppelin: A woman’s view of pleasure and power in hard rock |
1999 |
American Music; Champaign |
17 |
245-299 |
|
|
|
Walser, Robert |
Running with the Devil: Power, Gender, and Madness in Heavy Metal Music |
1993 |
|
|
|
|
|
|
Sackl-Sharif, Susanne |
Schöne Schale, harter Kern? Über Frauenrollen im Metal |
2015 |
Pop-Frauen der Gegenwart: Körper – Stimme – Image. Vermarktungsstrategien zwischen Selbstinszenierung und Fremdbestimmung |
|
205-222 |
|
|
|
Beya, Sara |
Six feet three of Cheekbones, vanity and attitude: A discourse analysis of the construction of gender in the performance of metal music |
2020 |
|
|
|
|
|
|
Hoad, Catherine |
Slashing through the boundaries: Heavy metal fandom, fan fiction and girl cultures |
2017 |
Metal Music Studies |
3 |
5-22 |
|
