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Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Spracklen, Karl |
‘To Holmgard … and Beyond’: Folk metal fantasies and hegemonic white masculinities |
2015 |
Metal Music Studies |
1 |
359-377 |
|
|
|
Savigny, Heather; Sleight, Sam |
Postfeminism and heavy metal in the United Kingdom: Sexy or sexist? |
2015 |
Metal Music Studies |
1 |
341-357 |
|
|
|
Kartheus, Wiebke |
The ‘other’ as projection screen: Authenticating heroic masculinity in war-themed heavy metal music videos |
2015 |
Metal Music Studies |
1 |
319-340 |
|
|
|
Sollee, Kristen |
Mining The Motherload: Mastodon’s #twerkgate and sexual objectification in metal |
2015 |
Metal Music Studies |
1 |
271-277 |
|
|
|
Riches, Gabby |
Re-conceptualizing women’s marginalization in heavy metal: A feminist post-structuralist perspective |
2015 |
Metal Music Studies |
1 |
263-270 |
|
|
|
Pikri, Zainal; Muthmainnah, Inna |
Perdebatan Kontemporer tentang Islam, Gender dan Musik: Analisis Wacana atas Band Hijabi Metal VOB (Voice of Baceprot) [Contemporary Debates on Islam, Gender and Music: Discourse Analysis of the Hijabi Metal Band VOB (Voice of Baceprot)] |
2022 |
|
|
|
|
|
|
Yrivarren Valverde, Sara Dessiree |
Construcción de los discursos de feminidad en la escena metalera limeña: Caso de la banda Strogena |
2022 |
|
|
|
|
|
|
Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
|
|
|
Tzu-Han Cheng; Chen-Gia Tsai |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
2016 |
Frontiers in Psychology |
7 |
art. 182 |
|
|
|
Kosek, Jakub |
Transfigurations of the “Emploi” and Artistic Manifestations of Female (Heavy) Metal Singers |
2021 |
Annales Universitatis Paedagogicae Cracoviensis |
13 |
35-46 |
|
