| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Patterson, Jamie E. |
Blasting Britney on the Way to Goatwhore: Identity and Authenticity among Female-identified Fans in Semi-rural North Carolina |
2016 |
Heavy Metal Studies and Popular Culture |
|
|
|
|
|
Kummer, Jenna |
Powerslaves? Navigating Femininity in Heavy Metal |
2016 |
Heavy Metal Studies and Popular Culture |
|
|
|
|
|
Brill, Dunja |
White men’s War of Sound? Sonische und Diskursive Gewalt im Industrial und Extreme Metal |
2016 |
Rohe Beats, harte Sounds : populäre Musik und Aggression |
|
105-118 |
|
|
|
Höpflinger, Anna-Katharina |
Zwischen Normativität und Abgrenzung – Aggresivität und Gender in der Black Metal Szene |
2016 |
Rohe Beats, harte Sounds : populäre Musik und Aggression |
|
119-130 |
|
|
|
Miller, Diana |
Creative Producers and Gender Relations: A Field Analysis of Two Grassroots Music Scenes |
2016 |
|
|
205 |
|
|
|
Watts, Chelsea Anne |
Nothin' But a Good Time: Hair Metal, Conservatism and the End of the Cold War in the 1980s |
2016 |
|
|
232 |
|
|
|
Tzu-Han Cheng; Chen-Gia Tsai |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
2016 |
Frontiers in Psychology |
7 |
art. 182 |
|
|
|
Clifford-Napoleone, Amber R. |
Queerness in heavy metal music: metal bent |
2017 |
|
|
|
|
|
|
Varas-Díaz, Nelson; Mendoza, Sigrid; Rivera, Eliot; González, Osvaldo |
Metal as a vehicle for critical culture in Latin America and the Caribbean: challenging traditional female gender roles through music |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
|
Spracklen, Karl |
‘Yours is the Earth and everything that’s in it, and – which is more – you’ll be a man, my son’: Myths of British masculinity and Britishness in the construction and reception of Iron Maiden |
2017 |
Metal Music Studies |
3 |
405-419 |
|
