| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Harrison, Thomas |
”Empire”: Chart Performance of Hard Rock and Heavy Metal Groups, 1990-1992(1) |
2007 |
Popular Music and Society; Bowling Green |
30 |
197-225,303 |
| Guibert, Gérôme |
Les spécificités culturelles de la production de musique metal. Le cas de l’industrie de la musique live en France |
2019 |
Volume! La revue des musiques populaires |
15:2 |
25-35 |
| Laaksonen, Laura; Ainamo, Antti; Karjalainen, Toni-Matti |
Entrepreneurial passion: an explorative case study of four metal music ventures |
2011 |
Journal of Research in Marketing and Entrepreneurship; Spokane |
13 |
18-36 |
| Herbst, Jan-Peter |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
2022 |
Metal Music Studies |
8 |
109-126 |
| Wallin, Jason; Podoshen, Jeffrey; Venkatesh, Vivek |
Second wave true Norwegian black metal: an ideologically evil music scene? |
2017 |
Arts Marketing; Bingley |
7 |
159-173 |
| Thomas, Niall |
Innovation and tradition in metal music production |
2021 |
Metal Music Studies |
7 |
423-443 |
| Zenerian, Eleftherios |
Vinyl records, metal fandom and fan labour: Productions and exchanges at the intersection of the cultural and financial economies |
2019 |
Metal Music Studies |
5 |
89-106 |
| Podoshen, Jeffrey S. |
Constructing black metal mythology for global monopoly: #ittakescourage |
2018 |
Metal Music Studies |
4 |
375-380 |
| Kummer, Jenna |
‘I Remember You’: Exploring glam metal’s re-emergence in contemporary metal music markets |
2017 |
Metal Music Studies |
3 |
421-436 |
| Netherton, Jason |
The entrepreneurial imperative: Recording artists in extreme metal music proto-markets |
2017 |
Metal Music Studies |
3 |
369-386 |
