| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Aledort, Andy |
Thrashing It Out |
1988 |
Guitar for the Practicing Musician |
March |
|
|
|
|
Marshall, Wolf |
...And Justice for All |
1989 |
Guitar for the Practicing Musician |
June |
|
|
|
|
Marshall, Wolf |
Music appreciation: Iron Maiden |
1989 |
Guitar for the Practicing Musician |
January |
|
|
|
|
Tolinski, Brad |
Speed Kills: A Thinking Man’s Guide to Thrash |
1989 |
Guitar World |
October |
|
|
|
|
Armington, Nick; Lofas, Lars |
The Genesis of Metal |
1990 |
Drums and Drumming |
August/September |
21-25; |
|
|
|
Walser, Robert |
Eruptions: Heavy metal appropriations of classical virtuosity |
1992 |
Popular Music; Cambridge |
11 |
263 |
|
|
|
Walser, Robert |
Running with the Devil: Power, Gender, and Madness in Heavy Metal Music |
1993 |
|
|
|
|
|
|
Friesen, Bruce K.; Epstein, Jonathon S. |
Rock ’n’ roll ain’t noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music |
1994 |
Popular Music and Society; Bowling Green |
18 |
1 |
|
|
|
Berger, Harris M. |
The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer |
1997 |
Ethnomusicology; Champaign |
41 |
464-488 |
|
|
|
Walser, Robert |
Eruptions: Heavy metal appropriations of classical virtuosity |
1997 |
The subcultures reader |
|
459-472 |
|
