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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Fu Yu Sin, K.; Khiun, L.K. |
From folk devils to folk music: tracing the Malay heavy metal scene in Singapore |
2016 |
Sonic synergies: music, technology and community, identity |
|
115-123 |
|
|
|
Garcia, Marcelo Velloso; Gama, Vítor Castelões |
Brazilian native metal and the experience of transculturation |
2021 |
Metal Music Studies |
7 |
171-177 |
|
|
|
Gil Monroy, Carlos Julián |
Monografía del grupo ”Goretrade.” |
2015 |
|
|
|
|
|
|
Glatz, Sabine |
Die Entstehung der Heavy Metal-Musik in China: ein musikalischer Kulturtransfer in und nach China in den 1980er-Jahren |
2014 |
|
|
|
|
|
|
González Hernández, José Omar |
Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia |
2021 |
Metal Music Studies |
7 |
119-128 |
|
|
|
Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward |
Lost in the field: Lessons from metal music studies fieldwork in the Global South |
2022 |
Metal Music Studies |
8 |
163-182 |
|
|
|
Granado, Rui Luiz Ferreira; Valente, Heloisa de Aaujo Duarte |
From the Sound of the Lathes to the Noise of the Amplifiers: The Heavy Metal and the Music Scene in the ABC Region of Brazil (1980-1990) |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Grant, Sam |
Resistants, stimulants and weaponization: Extreme metal music and empowerment in the Iraqi and Syrian civil conflicts |
2017 |
Metal Music Studies |
3 |
175-200 |
|
|
|
Grant, Sam |
From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives |
2016 |
Metal Music Studies |
2 |
215-232 |
|
|
|
Greene, Paul |
Mixed messages: unsettled cosmopolitanisms in Nepali pop |
2001 |
Popular Music |
20 |
169-187 |
|
