Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Zheng, Yu |
”The screaming successor”: Exploring the Chinese metal scene in contemporary Chinese society (1996-2015) |
2016 |
|
|
|
| Zaddach, Wolf-Georg |
Heavy Metal in der DDR: Szene, Akteure, Praktiken |
2018 |
|
|
|
| Yepes Aguirre, Jimmy Renzo |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
2013 |
Investigaciones Sociales |
17 |
279-290 |
| Wong, Cynthia P. |
”A dream return to Tang Dynasty”: masculinity, male camaraderie, and Chinese heavy metal in the 1990s |
2011 |
Metal rules the globe: heavy metal music around the world |
|
63-85 |
| Williams, Duncan; Da Rocha, Marcio Alves |
Decoding cultural signifiers of Brazilian identity and the African diaspora from the music of Sepultura |
2017 |
Metal Music Studies |
3 |
145-152 |
| Weber, Mateus Felipe |
O Metal em Porto Alegre na Década de 1980 – Identidade, Tribo e Atuação Espetacular |
2012 |
|
|
|
| Wang, Yuan |
Observations on the Chinese metal scene (1990-2013): history, identity, industry, and social interpretation |
2016 |
|
|
|
| Wang, Yuan |
Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
219-229 |
| Wanderley, Maurício do Vale Dourado |
A Cena Metal Aracajuana: Identidade e conflitos entre grupos antagônicos |
2008 |
|
|
|
| Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. (eds) |
Metal rules the globe: heavy metal music around the world |
2011 |
|
|
|
