| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Rivera-Segarra, Eliut; Ramos, Jeffrey W.; Varas-Díaz, Nelson |
“A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
287-304 |
| Pack, Christian M. |
“Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
39-60 |
| Adamo, Noelia |
“In Black We Are Seen”. Heavy Metal Music in Argentina |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
67-72 |
| Nieves Molina, Alfredo |
“La Periferia”: Marginal Contexts for Metal Music in the State of México |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
239-264 |
| Maclachlan, Heather |
(Mis)representation of Burmese metal music in the western media |
2016 |
Metal Music Studies |
2 |
395-404 |
| Wanderley, Maurício do Vale Dourado |
A Cena Metal Aracajuana: Identidade e conflitos entre grupos antagônicos |
2008 |
|
|
|
| Ribeiro, Hugo L. |
A Dinâmica das Identidades: análise estilística e contextual de três bandas de metal na cena rock underground de Aracaju |
2007 |
|
|
|
| Vasconcellos, Victor |
A geografia do subterrâneo: um estudo sobre a espacialidade das cenas de heavy metal do Brasil |
2015 |
|
|
|
| Calvo, Manuela Belén |
Acerca de la heterogeneidad del rock: el ”aguante” en el heavy metal en Argentina |
2016 |
El Oído Pensante |
4 |
|
| Overell, Rosemary |
Affective intensities in extreme music scenes: cases from Australia and Japan |
2014 |
|
|
|
