Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Andrew Klein |
Blood, Frets and Tears |
2018 |
|
|
1'15" |
| Barratt-Peacock, Ruth; Hagen, Ross (eds) |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
2019 |
|
|
|
| Beckwith, Karl |
”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene |
2002 |
Colour |
5 |
n.-p. |
| Binder, Amy |
Constructing racial rhetoric: Media depictions of harm in heavy metal and rap music |
1993 |
American Sociological Review; Washington |
58 |
753-767 |
| Bona, Michelle |
Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture |
2021 |
|
|
|
| Boyarin, Shamma; Saguar García, Amaranta; Christensen, Annika; Swinford, Dean |
The Politics and Poetics of Metal’s Medieval Pasts |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
71-80 |
| Brill, Dunja |
White men’s War of Sound? Sonische und Diskursive Gewalt im Industrial und Extreme Metal |
2016 |
Rohe Beats, harte Sounds : populäre Musik und Aggression |
|
105-118 |
| Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
| Clinton, Esther; Wallach, Jeremy |
Recoloring The Metal Map: Metal And Race In Global Perspective |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
274-282 |
| Czerniak, Martin |
Black metal: zur Darstellung von People-of-Color im Musikvideo des Metal |
2017 |
|
|
|
