| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Dawes, Laina |
“Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal |
2022 |
|
|
|
|
|
|
Dawes, Laina |
Challenging an ‘Imagined Community’: Discussions (or lack thereof) of black and queer experiences within heavy metal culture |
2015 |
Metal Music Studies |
1 |
385-393 |
|
|
|
Dawes, Laina |
What are You Doing Here? A Black Woman’s Life and Liberation in Heavy Metal |
2012 |
|
|
|
|
|
|
Deyhle, Donna |
From Break Dancing to Heavy Metal: Navajo Youth, Resistance, and Identity |
1998 |
Youth & Society |
30 |
3-31 |
|
|
|
Dyck, Kirsten |
”The Blood of my Ancestors” – Nostalgia in White-Supremacist Hate Rock |
2012 |
Böse Macht Musik: zur Ästhetik des Bösen in der Musik |
|
131-140 |
|
|
|
Epp, André |
Diversity in Metal Politics |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
|
Fellezs, Kevin |
Voracious Souls: Race and Place in the Formation of the San Francisco Bay Area Thrash Scene |
2016 |
Global metal music and culture: current directions in metal studies |
|
89-105 |
|
|
|
Fellezs, Kevin |
Talk Shit, Get Shot: Body Count, Black Masculinity, And Metal Music Culture |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
283-290 |
|
|
|
Fellezs, Kevin |
Black metal soul music: Stone Vengeance and the aesthetics of race in heavy metal |
2013 |
Heavy metal: controversies and countercultures |
|
182-200 |
|
|
|
Fellezs, Kevin |
Black Metal Soul Music: Stone Vengeance and the Aesthetics of Race in Heavy Metal |
2012 |
Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture |
|
23-36 |
|
