| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Banchs, Edward |
Ancient, Evil, and African: Heavy Metal and Conflict in East Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
283-302 |
|
|
|
Yepes Aguirre, Jimmy Renzo |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
2013 |
Investigaciones Sociales |
17 |
279-290 |
|
|
|
Hannan, Calder |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
2021 |
Metal Music Studies |
7 |
277-297 |
|
|
|
de Alcântara, Moacir Oliveira |
Mídia, violência e subjetivação: uma abordagem discursiva das representações do punk no Correio Braziliense |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
267-297 |
|
|
|
Klausner, Guilherme Alfradique |
Differences in the Sociopolitical Perspectives of Brazilian and European Völkisch Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
265-284 |
|
|
|
Dinali, Wescely |
(ENTRE) Educações: crust punk, arte de viver e e e... |
2021 |
Diálogos com a música extrema |
|
264-284 |
|
|
|
Hassemer, Simon Maria |
Green is the New Black (Metal): Wolves in the Throne Room, die amerikanische Romantik und Ecocriticism |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
263-277 |
|
|
|
Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
|
|
|
Riekki, Matti |
North From Here: The Sentenced Story (English edition) |
2021 |
|
|
262 |
|
|
|
Riekki, Matti |
Täältä Pohjoiseen: Sentencedin Tarina |
2014 |
|
|
262 |
|
