| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Schmidt, Andreas |
Unten und im Norden: Mythische Bildsprache, Kunst und (Sub-)Kultur in der nordischen Schaffensperiode Helrunars |
2020 |
NORDEUROPAforum – Zeitschrift für Kulturstudien |
Jhg. 2020 |
194-227 |
| Verne, Markus |
Die Grenzen des Kontextualismus: Madagassischer Heavy Metal, ”satanische” Ästhetik und die ethnologische Erforschung populärer Musik |
2012 |
Zeitschrift für Ethnologie |
137 |
187-206 |
| Fredriksson, Daniel |
“Not Folk Metal, but...” Online intercultural musicking in “the Grove” |
2021 |
Svensk tidskrift för musikforskning [Swedish Journal of Music Research] |
103 |
111-126 |
| Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes |
2023 |
Poetics |
99 |
101803 |
| Forshaw, Juliet |
Metal in Three Modes of Enmity: Political, Musical, Cosmic |
2011 |
Current Musicology |
91 |
139-160 |
| Birnie-Smith, Jess; Robertson, Wesley C. |
Superdiversity and translocal brutality in Asian extreme metal lyrics |
2021 |
Language & Communication |
81 |
48-63 |
| Miller, Jason |
What Makes Heavy Metal “Heavy”? |
2021 |
The Journal of Aesthetics and Art Criticism |
80 |
70-82 |
| Archer-Capuzzo, Sonia |
Mining For Metal: Heavy Metal and the Music Library |
2021 |
Music Library Association |
78 |
7-26 |
| Yépez Aguirre, Jimmy Renzo |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
2017 |
Anales Científicos |
78 |
80-91 |
| Castillo Bernal, Stephen |
Imágenes, ficción y consumo cultural. El impacto de la pantalla chica en la globalidad del heavy metal. |
2016 |
Dimensión Antropológica |
66 |
117-148 |
