| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Watier, Nicholas |
Threat cues in metal's visual code |
2022 |
Metal Music Studies |
8 |
205-223 |
| Lajić Mihajlović, Danka; Radovanović, Bojana |
Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia |
2022 |
Metal Music Studies |
8 |
225-243 |
| Vrzal, Miroslav |
Against the devil’s metal: Christian public discursive strategies against metal concerts and festivals in Czechia and Slovakia |
2022 |
Metal Music Studies |
8 |
245-268 |
| Barratt-Peacock, Ruth |
Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour |
2022 |
Metal Music Studies |
8 |
293-308 |
| Swist, Jeremy |
“Wolves of the Krypteia”: Lycanthropy and right-wing extremism in metal’s reception of ancient Greece and Rome |
2022 |
Metal Music Studies |
8 |
309-325 |
| Bleile, MaryLena; Luedeker, Bianca; Patterson, Charles B. |
A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West |
2022 |
Metal Music Studies |
8 |
327-350 |
| Swallow, Reuben; Herbst, Jan-Peter |
Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance |
2022 |
Metal Music Studies |
8 |
351-379 |
| Thomson, Andrew; Thomson, Amanda M.E. |
Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band |
2022 |
Metal Music Studies |
8 |
381-400 |
| González-Martínez, Susana |
The didactic role of feminist art in metal music: Coven bands as a relational device for personal improvement and social justice |
2022 |
Metal Music Studies |
8 |
401-421 |
| Hill, Rosemary Lucy |
When love and critique collide: Methodology ontology fandom and standpoint in metal research |
2021 |
Metal Music Studies |
7 |
197-210 |
