| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Kinnunen, Maarit; Honkanen, Antti |
Femininity in metal fanship: “I do not need to take anyone along” |
2021 |
Metal Music Studies |
7 |
211-235 |
|
|
|
Sackl-Sharif, Susanne |
The dark side of blogging: Digital metal communities and metal influencers |
2021 |
Metal Music Studies |
7 |
237-255 |
|
|
|
Brown, Andy R. |
Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91 |
2021 |
Metal Music Studies |
7 |
257-276 |
|
|
|
Hannan, Calder |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
2021 |
Metal Music Studies |
7 |
277-297 |
|
|
|
Mora-Rioja, Arturo |
“We Are the Dead”: The War Poets, metal music and chaos control |
2021 |
Metal Music Studies |
7 |
299-315 |
|
|
|
Doesburg, Charlotte |
Of heroes, maidens and squirrels: Reimagining traditional Finnish folk poetry in metal lyrics |
2021 |
Metal Music Studies |
7 |
317-333 |
|
|
|
Burns, Lori A.; Armstrong, Patrick |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
2021 |
Metal Music Studies |
7 |
357-382 |
|
|
|
Deacon, David |
“Another Version of the Truth”: The politics of affect and the externalization of threat in Trent Reznor’s Year Zero |
2021 |
Metal Music Studies |
7 |
383-397 |
|
|
|
Rietveld, Hillegonda C.; Monroe, Alexei |
Gabber: Raising hell in technoculture |
2021 |
Metal Music Studies |
7 |
399-421 |
|
|
|
Thomas, Niall |
Innovation and tradition in metal music production |
2021 |
Metal Music Studies |
7 |
423-443 |
|
