|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Castañeda Maldonado, Mario Efraín |
The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
219-238 |
|
|
Nieves Molina, Alfredo |
“La Periferia”: Marginal Contexts for Metal Music in the State of México |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
239-264 |
|
|
Rivera-Segarra, Eliut; Ramos, Jeffrey W.; Varas-Díaz, Nelson |
“A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
287-304 |
|
|
Klausner, Guilherme Alfradique |
Differences in the Sociopolitical Perspectives of Brazilian and European Völkisch Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
265-284 |
|
|
Nevárez Araujo, Daniel |
Metal Migration: The Latin American Diasporic Experience in Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
305-332 |
|
|
Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
2020 |
Musicae Scientiae |
OnlineFirst |
|
|
|
Wojtala, Malwina |
Inspiracje II wojną światową w muzyce metalowej [Inspirations of the Second World War in metal music] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
212-225 |
|
|
Varas-Díaz, Nelson |
Decolonial Metal Music in Latin America |
2021 |
|
|
|
|
|
Wallach, Jeremy |
Global Rock as Postcolonial Soundtrack |
2020 |
The Bloomsbury Handbook of Rock Music Research |
|
469-485 |
|
|
Wallach, Jeremy |
“Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. |
2003 |
Global Pop, Local Language |
|
53-86 |
|