| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Smialek, Eric T. |
Genre and Expression in Extreme Metal Music, Ca. 1990-2015 |
2016 |
|
|
346 |
|
|
|
Teichert, Matthew |
Die Antichristen. Satanistisch-, neugermanische’ Allianzen im Black Metal und ihre Wurzeln in Schwarzer Romantik. Wagnerianismus und (Vulgär-)Nietzscheanismus |
2016 |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
|
59-74 |
|
|
|
Temkin, Daniel |
Intricate Machines for String Quartet |
2016 |
|
|
|
|
|
|
Miller, Diana |
Creative Producers and Gender Relations: A Field Analysis of Two Grassroots Music Scenes |
2016 |
|
|
205 |
|
|
|
Callaway, Charles |
I See The Horse |
2016 |
|
|
490 |
|
|
|
Triplett, Andrew G. |
Music and aggression: Effects of lyrics and background music on aggressive behavior |
2016 |
|
|
57 |
|
|
|
Watts, Chelsea Anne |
Nothin' But a Good Time: Hair Metal, Conservatism and the End of the Cold War in the 1980s |
2016 |
|
|
232 |
|
|
|
Calandra, Nicole |
Metal health: Measuring depression and anxiety within the heavy metal community |
2016 |
|
|
41 |
|
|
|
McDowell, Michael A., II |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
2016 |
|
|
80 |
|
|
|
Hereld, Diana Christine |
Musical Intensity in Affect Regulation: Uncovering Hope and Resilience Through Heavy Music |
2016 |
|
|
141 |
|
