| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2015 |
Journal of Implicit Religion |
18 |
209-231 |
|
|
|
Sylvester, Steve; Cioppi, Gianni Della |
The Necromancer of Rock: The Origins of Death SS |
2021 |
|
|
207 |
|
|
|
Varas-Díaz, Nelson |
El sujeto criminal sónico: heavy metal y el reto a la normativa social dominante |
2012 |
Registros criminológicos contemporáneos |
|
207-240 |
|
|
|
Richardson, James T. |
Satanism in the Courts: From Murder to Heavy Metal |
1991 |
The Satanism Scare |
|
205-217 |
|
|
|
Miller, Diana |
Creative Producers and Gender Relations: A Field Analysis of Two Grassroots Music Scenes |
2016 |
|
|
205 |
|
|
|
Watier, Nicholas |
Threat cues in metal's visual code |
2022 |
Metal Music Studies |
8 |
205-223 |
|
|
|
McFerran, Katrina |
Metal Made Me Who I Am: Seven Adult Men Reflect on Their Engagement with Metal Music During Adolescence |
2014 |
International Journal of Community Music |
7 |
205-222 |
|
|
|
Roby, David Allen |
Crust Punk: An Anarchist Political Epistemology |
2021 |
|
|
204 |
|
|
|
Campoy, Leonardo Carbonieri |
As revelações da escuridão: o show no underground do heavy metal extremo como um ritual |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
203-221 |
|
|
|
Shakespeare, Steven |
Drone construction. Philosophy of identity in Conan's “Horseback Battle Hammer” |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
202-213 |
|
