Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Boughali, Khalil |
Thoughts on Black Metal |
2022 |
|
|
|
| Boughali, Khalil |
Réflexions sur le black metal |
2021 |
|
|
|
| Brown, Andy R. (ed) |
Who Do We Think They Are? Deep Purple and Metal Studies |
2024 |
|
|
|
| Burke, David |
Esoteric Symbolism in Doom Metal |
2016 |
|
|
|
| Burkhardt, Guga |
Arte extrema para olhos atentos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
187-202 |
| Burns, Lori |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
2023 |
Analyzing Recorded Music: Collected Perspectives |
|
323–338 |
| Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
| Burns, Lori |
Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) |
2020 |
Popular Musicology and Identity: Essays in Honour of Stan Hawkins |
|
196–217 |
| Burns, Lori |
Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus |
2019 |
The Bloomsbury Handbook to Popular Music Video Analysis |
|
183-200 |
| Büttner, Christoph A.; Wehmeier, Henrik |
Ein Film aus dem Ruhrgebiet? Deindustrialisierungsgeschichte(n) und Körperpolitiken des Metals in “Thrash, Altenessen” |
2022 |
ffk Journal |
7 |
15-36 |
