| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Hoffin, Kevin |
The Norwegian Black Metal Second Wave |
2023 |
|
|
27-38 |
|
|
|
Soares Espindola, Mariana |
Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers |
2023 |
|
|
|
|
|
|
Dukayev, Ali |
Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices |
2023 |
|
|
|
|
|
|
Garrett, Ryan D. |
Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995 |
2023 |
|
|
|
|
|
|
Landes, Nathan |
“That’s Not Heavy Metal”: Egalitarianism, Elitism, and Winning Arguments in Three Metal Music Studies Canons |
|
|
|
|
|
|
|
Herbst, Jan-Peter (ed) |
The Cambridge Companion to Metal Music |
2023 |
|
|
320 |
|
|
|
Dawes, Laina |
“Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal |
2022 |
|
|
|
|
|
|
Setničar, Robert |
“From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] |
2020 |
|
|
|
|
|
|
Gallina, Francesco |
La fisica del rock. Da Einstein, Lovecraft e Paperino a Jeeg Robot, ai Queen e all'Universo degli Epica |
2023 |
|
|
|
|
|
|
Szpajdel, Christophe |
Archaic Modernism: The Art of Christophe Szpajdel |
2020 |
|
|
252 |
|
