| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Kosek, Jakub |
„Raise the Dead”. Transgatunkowe gry z żywiołem tanatycznym w działalności zespołu Hollywood Vampires [Raise the Dead”. Cross-genre games with the thanatic element in the activities of Hollywood Vampires activities of Hollywood Vampires] |
2022 |
Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives] |
|
57-76 |
| Kjellander Hellqvist, Eva |
”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] |
2023 |
HumaNetten |
50 |
76-91 |
| Le Vine, Mark |
“We Play Heavy Metal because Our Lives Are Heavy Metal”: A Generation of Metal in the Middle East and North Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
115-136 |
| Landes, Nathan |
“That’s Not Heavy Metal”: Egalitarianism, Elitism, and Winning Arguments in Three Metal Music Studies Canons |
|
|
|
|
| Yusof, Azmyl; Johan, Adil |
“Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s) |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
259-280 |
| Villalobos Albornoz, Omar |
“Pampa endiablada” y extreme metal: sociología visual y hermenéutica del diseño |
2015 |
Revista de Estudios Cotidianos |
3 |
253-286 |
| Davis, Amanda Blake; Sangster, Matthew |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
2023 |
European Romantic Review |
34 |
291-302 |
| Mora Rioja, Arturo |
“Into the Valley of Death”: A Textual and Musical Analysis of Metal Music’s Adaptation, Appropriation, and Quotation of Poetry in English |
2021 |
|
|
|
| Dawes, Laina |
“Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal |
2022 |
|
|
|
| Putu Tangkas Adi Hiranmayena |
“FIX YOUR FACE”: Performing Attitudes between Mathcore and Beleganjur |
2023 |
Sounding Out the State of Indonesian Music |
|
306-319 |
