| Author |
Title  |
Year |
Publication |
Volume |
Pages |
|
|
|
|
|
|
| Banchs, Edward; Tshomarelo “Vulture” Mosaka |
|
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
227-232 |
| Pichler, Peter |
“Breaking the Law...?” On the Role of Law and Legal References in the Cul- tural History of the Heavy Metal Scene in Styria since 1980 |
2022 |
Austrian Law Journal |
2 |
159-179 |
| Castañeda, Mario |
“DE CACERÍA” CONFLICTIVIDAD JUVENIL EN LA CIUDAD DE GUATEMALA A PRINCIPIOS DE LA DÉCADA DE 1990 |
2022 |
Metal de Habla Hispana |
|
42-55 |
| Setničar, Robert |
“From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] |
2020 |
|
|
|
| Hoad, Catherine |
“Images and words”: Textual analysis and its uses for metal music studies |
|
The Bloomsbury Handbook of Popular Music and Youth Culture |
|
151-169 |
| Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
| Herbst, Jan-Peter |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
2022 |
Metal Music Studies |
8 |
109-126 |
| Silva, Melina Aparecida dos Santos; Polivanoz, Beatriz |
“Mar de camisas pretas”: camisas de bandas como mediadoras de sentidos e experiências na cena do heavy metal |
2015 |
Logos |
22 |
s. p. |
| Nenadalová, Jana; Menšíková, Tereza |
“Metal Studies in Central/Eastern Europe: 1st (online) Workshop” on Extreme Music and its Academic Studies |
2022 |
Religio: Revue pro religionistiku |
30 |
77-80 |
