| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Pérez Pelayo, Marisol |
El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal |
2021 |
Lenguas Radicales |
1 |
7-18 |
| Beach, James, R.; Naron, Brian L. |
Beyond the Black: The Story of Metal Church |
2024 |
|
|
|
| Heaton, Brian J.; Naron, Brian L. |
Roads to Madness: The Touring History of Queensrÿche (1981-1997) |
2024 |
|
|
|
| Beach, James R.; Naron, Brian L.; Heaton, Brian J. |
Building An Empire: The Story of Queensrÿche |
|
|
|
|
| Beach, James R.; Naron, Brian L.; Sutton, James D.; Tolin, James |
Rusted Metal: A Guide To Heavy Metal and Hard Rock Music in the Pacific Northwest (1970 – 1995) |
2019 |
|
|
|
| Zapata, Alex |
La voz en los ochenta. Nuevos estilos al baile. |
2003 |
Pensamiento Crítico: Revista Electrónica de Historia |
|
1-63 |
| Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
| Hannan, CalderCalder |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
2022 |
Music Theory Online |
28 |
s.p. |
| Lucas, Olivia R. |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
2021 |
Music Theory Online |
27 |
s.p. |
| Córdoba, Jesús |
Metaleras feministas (Feminist Metalheads) |
2021 |
Metal to the Bone |
|
1-4 |
