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Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Burns, Lori |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
2023 |
Analyzing Recorded Music: Collected Perspectives |
|
323–338 |
|
|
|
Davis, Amanda Blake; Sangster, Matthew |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
2023 |
European Romantic Review |
34 |
291-302 |
|
|
|
Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
1-6 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Metal Music in the Distorted South: A Call for Defiance and Reflection |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
9-30 |
|
|
|
González-Martínez, Susana |
An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
33-66 |
|
|
|
Goossens, Didier |
Reclaiming Aotearoa: Stories of Experimentation, Education, and Reflection in Aotearoa Indigenous Metal Music |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
67-90 |
|
|
|
Thibodeau, Anthony J.; Bond, Sage |
“A Whole New Type of Isolation”: Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020–2021 |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
91-112 |
|
|
|
Le Vine, Mark |
“We Play Heavy Metal because Our Lives Are Heavy Metal”: A Generation of Metal in the Middle East and North Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
115-136 |
|
|
|
Rowe, Paula |
Youth Activism and Decolonial Metal: Voice of Baceprot and Alien Weaponry as Case Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
137-162 |
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