Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Córdoba Romero, Jesús Antonio |
Metal to the Bone: Falta de autocrítica y feminismo dentro del metal. |
2022 |
|
1 |
28-29 |
| Córdoba Romero, Jesús Antonio |
Metal to the Bone, una mirada con enfoque de género a las escenas metaleras |
2022 |
Imaginación o Barbarie |
25 |
|
| Coronado, Jimmy |
La influencia de la expresión de la música Metal en la identidad cultural de Tribus Urbanas de metaleros de la ciudad de La Paz |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
169-200 |
| Davis, Amanda Blake; Sangster, Matthew |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
2023 |
European Romantic Review |
34 |
291-302 |
| Dawes, Laina |
“Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal |
2022 |
|
|
|
| Dukayev, Ali |
Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices |
2023 |
|
|
|
| Eckerström, Pasqualina |
The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
|
| Farías Álvarez, Ilse; Calderón Orellana, Majo |
MINORÍAS EN EL METAL CHILENO. LETRAS DE RESISTENCIA Y MUJERES AL EXTREMO |
2022 |
Metal de Habla Hispana |
1 |
85-92 |
| Fejes, János |
Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music |
2017 |
Acta Universitatis Sapientiae, Communicatio |
4 |
37-60 |
| Fellezs, Kevin |
The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
235-158 |
