Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Montesinos, Omar |
Cuero y metal: Memorias del underground paceño |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
57-74 |
| Moores, JR |
Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present |
2021 |
|
|
480 |
| Mora-Rioja, Arturo |
Poetry in English and Metal Music. Adaptation and Appropriation Across Media |
2023 |
|
|
|
| Morton, Mark; Opipari, Ben |
Desolation: A Heavy Metal Memoir |
2024 |
|
|
320 |
| Muniesa, Mariano |
HEAVY METAL. UNA GUERRA QUE NO GANAREMOS SOLOS |
2022 |
Metal de Habla Hispana |
1 |
23-29 |
| Nevárez Araújo, Daniel; Manuel Gagneux |
Misusing Things in Metal Music: A Dialogue |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
201-218 |
| Nevárez Araújo, Daniel; Susane Hécate |
An Interview on “Contar/Cantar Memórias da Resistência” |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
189-200 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson |
Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries |
2022 |
Music, Sound, and Documentary Film in the Global South |
|
89-112 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
1-6 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Metal Music in the Distorted South: A Call for Defiance and Reflection |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
9-30 |
