| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Varas-Díaz, Nelson; Kobi Farhi |
The Alternative Side of the Frame: A Dialogue on Southern Inspirations |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
219-226 |
| Baltazar, Lídia Maria Ferrão |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
2013 |
|
|
216 |
| Nevárez Araújo, Daniel; Manuel Gagneux |
Misusing Things in Metal Music: A Dialogue |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
201-218 |
| Gutiérrez, Julio César |
Imágenes Reflejo del Ajayu del Under Boliviano |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
201-242 |
| Khalil, Lucas Martins Gama (UNIR) |
A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. |
2017 |
Miguilim: Revista Eletrônica do Netlli. |
6 |
198-218 |
| Scheller, Jörg; Neuffer, Jochen |
Make Metal Small Again |
2023 |
|
|
193 |
| Prown, Pete |
Ultimate Heavy Metal Guitars: The Guitarists Who Rocked the World |
2023 |
|
|
192 |
| Nevárez Araújo, Daniel; Susane Hécate |
An Interview on “Contar/Cantar Memórias da Resistência” |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
189-200 |
| Rosa, Hartmut |
When Monsters Roar and Angels Sing: Eine kleine Soziologie des Heavy Metal |
2023 |
|
|
187 |
| Guberman, Daniel |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
2018 |
Tyrannny and Music |
|
183-198 |
