| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| van Doesburg, Eline |
The Rejection and Redemption of Technology in Black Metal |
2023 |
|
|
|
| Orálková, Lucie |
Hudební analýza alba “Peace Sells... But Who’s Buying?” skupiny Megadeth [Musical analysis of the album “Peace Sells... but Who's Buying?” by Megadeth] |
2022 |
|
|
|
| Švehla, Martin |
Vývoj tuzemského metalového fandomu v době politické transformace 90. let s přihlédnutím k olomoucké scéně [The development of the metal fandom at a time of political transformation] |
2023 |
|
|
|
| James, Kieran |
Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality |
2023 |
Music in Crime, Resistance, and Identity |
|
52-62 |
| Hoffin, Kevin |
The Norwegian Black Metal Second Wave |
2023 |
|
|
27-38 |
| Soares Espindola, Mariana |
Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers |
2023 |
|
|
|
| Dukayev, Ali |
Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices |
2023 |
|
|
|
| Garrett, Ryan D. |
Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995 |
2023 |
|
|
|
| Landes, Nathan |
“That’s Not Heavy Metal”: Egalitarianism, Elitism, and Winning Arguments in Three Metal Music Studies Canons |
|
|
|
|
| Herbst, Jan-Peter (ed) |
The Cambridge Companion to Metal Music |
2023 |
|
|
320 |
