| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Kjellander Hellqvist, Eva |
”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] |
2023 |
HumaNetten |
50 |
76-91 |
|
|
|
Kloeppel, Mark |
Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities |
|
|
|
136 |
|
|
|
Kotila, Sanna |
Frost, Blood and a Thousand Lakes: Representing Finnishness in Metal Lyrics |
2012 |
|
|
|
|
|
|
Kruk, Jessica; Robertson, Wesley C. |
An annotated interview with Beastwars: Language, identity and place in New Zealand metal |
2023 |
Perfect Beat |
22 |
s. p. |
|
|
|
Landes, Nathan |
“That’s Not Heavy Metal”: Egalitarianism, Elitism, and Winning Arguments in Three Metal Music Studies Canons |
|
|
|
|
|
|
|
Le Vine, Mark |
“We Play Heavy Metal because Our Lives Are Heavy Metal”: A Generation of Metal in the Middle East and North Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
115-136 |
|
|
|
Limber, Franco |
Raza y metal en la nación aymara |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
243-250 |
|
|
|
Lopes, Pedro |
Heavy Metal no Rio de Janeiro e Dessacralização de símbolos religiosos: a música do demônio na cidade de São Sebastião das Terras de Vera Cruz |
2006 |
|
|
|
|
|
|
Martínez, Susana González |
Enseñar a transgredir: Metal feminista, a través de la investigación-acción participativa, como herramienta artística de liberación y pedagógica en el aula |
2023 |
|
|
528 |
|
|
|
Mendoza, Boris |
El underground Boliviano de los Andes y su resonancia identitaria en la política pública de del siglo XXI |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
33-56 |
|
