| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Wong, Cynthia P. |
”A dream return to Tang Dynasty”: masculinity, male camaraderie, and Chinese heavy metal in the 1990s |
2011 |
Metal rules the globe: heavy metal music around the world |
|
63-85 |
|
|
|
Weinstein, Deena |
The Globalization of Metal |
2012 |
Metal rules the globe: heavy metal music around the world |
|
34-59 |
|
|
|
Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. |
Affective overdrive, scene dynamics, and identity in the global metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
3-33 |
|
|
|
Weinstein, Deena |
The globalization of metal |
2011 |
Metal rules the globe: heavy metal music around the world |
|
34-62 |
|
|
|
Wallach, Jeremy |
Unleashed in the East: metal music, masculinity, and ”malayness” in Indonesia, Malaysia, and Singapore |
2011 |
Metal rules the globe: heavy metal music around the world |
|
86-105 |
|
|
|
Greene, Paul D. |
Electronic and affective overdrive: tropes of transgression in Nepal’s heavy metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
109-134 |
|
|
|
Avelar, Idelber |
Otherwise national: locality and power in the art of Sepultura |
2011 |
Metal rules the globe: heavy metal music around the world |
|
135-160 |
|
|
|
Hochhauser, Sharon |
The marketing of Anglo-identity in the North American hatecore metal industry |
2011 |
Metal rules the globe: heavy metal music around the world |
|
161-179 |
|
|
|
Hagen, Ross |
Musical style, ideology, and mythology in Norwegian black metal |
2011 |
Metal rules the globe: heavy metal music around the world |
|
180-199 |
|
|
|
Kahn-Harris, Keith |
”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
200-227 |
|
