| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Niebling, Laura |
Horns Up, Peter Pan! Narrating Modern Metal Rockumentaries |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
503-511 |
|
|
|
Frandsen, Daniel |
Authentic Heavy Metal And Contextual Aesthetics |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
366-373 |
|
|
|
Grund, Cynthia M. |
The Sounds Of Metal: A Proposal For The Interpretation Of Extreme Metal As Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
374-382 |
|
|
|
Mesiä, Susanna; Ribaldini, Paolo |
Heavy Metal Vocals: A Terminology Compendium |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
383-392 |
|
|
|
Lilja, Esa |
Dealing With The 3rd: Anatomy Of Distorted Chords And Subsequent Compositional Features Of Classic Heavy Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
393-403 |
|
|
|
Wahlstrom, Kristian |
The Groove Of Hard Rock And Heavy Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
404-412 |
|
|
|
Schumann, Garrett |
Terminally Climactic Forms In Heavy Metal Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
413-423 |
|
|
|
Kennedy, Lewis |
The Symbiotic Relationship Between Metal And Hardcore In The 21st Century |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
424-433 |
|
|
|
Kahn-Harris, Keith |
Landfill Metal: The Ironies Of Mediocrity |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
434-444 |
|
|
|
Hudson, Stephen |
Metal Movements: Headbanging As A Legacy Of African American Dance |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
445-453 |
|
