| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Wilson, Scott |
From forests unknown: eurometal and the political/audio unconscious |
2012 |
Reflections in the metal void |
|
199-214 |
|
|
|
Wilson, Scott |
Great Satan’s rage: American negativity and rap/metal in the age of supercapitalism |
2016 |
|
|
|
|
|
|
Wilson, Scott |
BAsileus philosoPHOrum METaloricum |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
33-52 |
|
|
|
Wilson, Scott |
Melancology: Black Metal Theory and Ecology |
2014 |
|
|
|
|
|
|
Wilson, Richard E.; Thomas, Mike |
Textual Analysis of Song Lyrics Adopting a Mental Health Diagnostic Standard as Method |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
26-34 |
|
|
|
Willis, Susan |
Hardcore: Subculture American Style |
1993 |
Critical Inquiry |
19 |
365-383 |
|
|
|
Williams, Evan Calder |
The Headless Horsemen of the Apocalypse |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
129-142 |
|
|
|
Williams, Duncan; Da Rocha, Marcio Alves |
Decoding cultural signifiers of Brazilian identity and the African diaspora from the music of Sepultura |
2017 |
Metal Music Studies |
3 |
145-152 |
|
|
|
Williams, Duncan |
Tracking timbral changes in metal productions from 1990 to 2013 |
2014 |
Metal Music Studies |
1 |
39-68 |
|
|
|
Williams, Dominic |
Embodying the Auschwitz ”Sonderkommando” in extreme metal |
2020 |
Metal Music Studies |
6 |
319-336 |
|
