Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Bardine, Bryan; Stueart, Jerome (eds) |
Living Metal: Metal Scenes around the World |
2021 |
|
|
|
| Barnett, Brett A. |
Black Sabbath’s pioneering lyrical rhetoric: Tragic structure and cathartic potential in song narratives |
2017 |
Metal Music Studies |
3 |
81-96 |
| Barone, Stefano |
Metal, rap, and electro in post-revolutionary Tunisia : a fragile underground |
2019 |
|
|
|
| Barone, Stefano |
Metal Identities In Tunisia: Locality, Islam, Revolution |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
185-194 |
| Barratt, Claire |
Death Symbolism in Metal Jewellery: Circuits of Consumption from Subculture to the High Street |
2016 |
Global metal music and culture: current directions in metal studies |
|
227-244 |
| Barratt-Peacock, Ruth |
Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour |
2022 |
Metal Music Studies |
8 |
293-308 |
| Barratt-Peacock, Ruth |
The Villon that Never Was |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
157-170 |
| Barratt-Peacock, Ruth |
Medieval Metal and Temporal Dislocation in the Construction of Alternative Identities in the Contemporary German Reenactment Scene |
2015 |
|
|
|
| Barratt-Peacock, Ruth; Hagen, Ross (eds) |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
2019 |
|
|
|
| Barratt-Peacock, Ruth; Hagen, Ross; Gardenour Walter, Brenda S. |
Finding the Past in the Present and the Present in the Past |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
137-144 |
