Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Annegg, Florian |
You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene |
2018 |
|
|
|
| Anselmi, J.J. |
Doomed to fail: the incredibly loud history of doom, sludge, and post-metal |
2020 |
|
|
|
| Antonieto, Thiago |
O inventor do peso no heavy metal |
2004 |
Cover Guitarra |
120 |
42-50 |
| Anttonen, Salli |
‘Hypocritical bullshit performed through gritted teeth’: Authenticity discourses in Nickelback’s album reviews in Finnish media |
2016 |
Metal Music Studies |
2 |
39-56 |
| Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
| Apter, Jeff |
Bad Boy Boogie: The true story of AC/DC legend Bon Scott |
2021 |
|
|
296 |
| Aquatias, Les consommations d’alcool et de cannabis dans les concerts de rock métal |
Stairway to heaven |
2003 |
Psychotropes |
9 |
37-55 |
| Aquino Ruiz, Frank |
Radicalizing the Resistance: The Representation of Political Identities in the Heavy Metal Community of Puerto Rico Via the Production of Radio Shows |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
88-94 |
| Aquino Ruiz, Frankz Armas, Laura |
Relación e interacción entre la música académica contemporánea y el Metal Extremo |
2021 |
|
|
|
| Araste, Lii |
Communication function in the Estonian metal subculture |
2010 |
Heavy fundametalisms: music, metal and politics |
|
103-109 |
