| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Setničar, Robert |
“From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] |
2020 |
|
|
|
|
|
|
Hagen, Ross |
“From the Dark Past”: Historiographies of Violence in Norwegian Black Metal |
2020 |
Researching Subcultures, Myth and Memory |
|
151-170 |
|
|
|
Wallach, Jeremy |
“Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. |
2003 |
Global Pop, Local Language |
|
53-86 |
|
|
|
Nowakowski, Adam E. |
“Horns Up!” The Horned Hand as the Emblematic Gesture of the Metal Subculture |
2020 |
Półrocznik Językoznawczy Tertium |
5 |
62–82 |
|
|
|
Larsson, Susanna |
“I Bang my Head, Therefore I Am”: Constructing Individual and Social Authenticity in the Heavy Metal Subculture |
2013 |
Young |
21 |
95-110 |
|
|
|
Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2011 |
Popular Music History |
6 |
116-134 |
|
|
|
Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2013 |
Heavy metal: controversies and countercultures |
|
117-135 |
|
|
|
Hagen, Katharina |
“If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as a Contrary Version of The [First] Book of Urizen |
2021 |
Blake / an Illustrated Quarterly |
54 |
n.p. |
|
|
|
Hoad, Catherine |
“Images and words”: Textual analysis and its uses for metal music studies |
|
The Bloomsbury Handbook of Popular Music and Youth Culture |
|
151-169 |
|
|
|
Adamo, Noelia |
“In Black We Are Seen”. Heavy Metal Music in Argentina |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
67-72 |
|
