| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Valijärvi, Riitta-Liisa |
Cultural trauma in the lyrics of the Estonian folk metal band Metsatöll |
2022 |
Metal Music Studies |
8 |
7-27 |
| James, Kieran Edmond; Walsh, Rex John |
Masculinity and underground music scene participation across time: A case study from Indonesia |
2022 |
Metal Music Studies |
8 |
29-46 |
| Hurley, Gavin F. |
Funeral doom metal as the rhetoric of contemplation: A Burkean perspective |
2022 |
Metal Music Studies |
8 |
69-85 |
| Herbst, Jan-Peter |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
2022 |
Metal Music Studies |
8 |
109-126 |
| Gibson, Dylan Lawrence |
Mechanical and artificial “nü-horror metal”: The film music of “Resident Evil” |
2022 |
Metal Music Studies |
8 |
87-108 |
| Kahn-Harris, Keith |
Engaging with absence: Why is the Holocaust a ”problem” for metal? |
2020 |
Metal Music Studies |
6 |
395-414 |
| Langebach, Martin; Schulze, Christoph |
Affirmation and denial: Extreme right black metal and the Holocaust |
2020 |
Metal Music Studies |
6 |
375-393 |
| Pieper, Henning |
The SS in heavy metal lyrics |
2020 |
Metal Music Studies |
6 |
359-374 |
| Kopanski, Reinhard |
”Auschwitz awaits”: Different readings on Sabaton’s ”The Final Solution” (2010) and the question of irony |
2020 |
Metal Music Studies |
6 |
337-357 |
| Williams, Dominic |
Embodying the Auschwitz ”Sonderkommando” in extreme metal |
2020 |
Metal Music Studies |
6 |
319-336 |
