| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Ryan, Jenny Rose |
Horning In |
2008 |
Bitch Magazine: Feminist Response to Pop Culture |
41 |
54-56 |
| Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
| Janotti Jr., Jeder |
666 The Number of the Beast: alguns apontamentos sobre a experiência simbólica a partir das letras, crânios, demônios e sonhos do heavy metal |
1998 |
Textos de Cultura e Comunicação |
39 |
97-112 |
| Selfhout, Maarten H.W.; Delsing, Marc J.M.H.; ter Bogt, Tom F.M.; Meeus, Wim H.J. |
Heavy metal and hip-hop style preferences and externalizing problem behavior: A two-wave longitudinal study |
2008 |
Youth & Society |
39 |
435-452 |
| Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
| González, Susana Martínez |
El Quijote a ritmo de rock and roll: El heavy metal español como recurso didáctico en las clases de literatura de E.S.O |
2019 |
Campo Abierto. Revista de Educación |
38 |
107-124 |
| Aitken, Paul A. |
Attack/Affect: System of a Down and Genocide Activism |
2011 |
MUSICultures; Calgary |
38 |
65-Ix |
| Scotto, Ciro |
The Structural Role of Distortion in Hard Rock and Heavy Metal |
2016 |
Music Theory Spectrum |
38 |
|
| Coggins, Owen |
Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures |
2019 |
Popular Music; Cambridge |
38 |
|
| Kieran, James; Walsh, Rex |
Religion and heavy metal music in Indonesia |
2019 |
Popular Music; Cambridge |
38 |
276-297 |
