| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Halnon, Karen Bettez |
Inside Shock Music Carnival: Spectacle as Contested Terrain |
2004 |
Critical Sociology |
30 |
743-779 |
|
|
|
Waksman, Steve |
California Noise: Tinkering with Hardcore and Heavy Metal in Southern California |
2004 |
Social Studies of Science |
34 |
675-702 |
|
|
|
Weinstein, Deena |
All Singers Are Dicks |
2004 |
Popular Music and Society |
27 |
323-334 |
|
|
|
Sasseville, Martin |
Pathologie d’une sous-culture urbaine en région. Comment le diable et sa musique oicielle se débrouillent en région éloignée |
2004 |
L’imaginaire urbain et les jeunes: la ville comme espace d’expériences identitaires et créatrices |
|
307-320 |
|
|
|
|
Apocalyptic unbound: An interpretation of Christian Speed/Thrash Metal Music |
2004 |
Religious Innovation in a Global Age: Essays on the Construction of Spirituality |
|
117-137 |
|
|
|
Kahn-Harris, Keith |
Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene’ |
2004 |
After subculture: critical studies in contemporary youth culture |
|
107-118 |
|
|
|
Kahn-Harris, Keith |
The ‘Failure’ of Youth Culture: Reflexivity, Music and Politics in the Black Metal Scene |
2004 |
European Journal of Cultural Studies |
7 |
95-111 |
|
|
|
Bogue, Ronald |
Violence in Three Shades of Metal : Death, Doom and Black |
2004 |
Deleuze and Music |
|
95-117 |
|
|
|
Bogue, Ronald |
Becoming Metal, Becoming Death |
2004 |
Deleuze’s Wake: Tributes and Tributaries |
|
83-108 |
|
|
|
Martíneza García, Silvia |
Heavies: ¿una cultura de transgresión? |
2004 |
Revista de Estudios de Juventud |
64 |
75-86 |
|
