Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Frandsen, Daniel |
Two Steps past Insanity: The Expression of Aggression in Death Metal Music |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
35-40 |
| Frehley, Ace; Layden, Joe |
No regrets: a rock ’n’ roll memoir |
2011 |
|
|
|
| Fricke, Caroline |
Heavy Metal in der DDR-Provinz |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
367-377 |
| Fridh, Sanna |
Lord Satan’s Secret Rites and Satanism as Self-Therapy: The Creation of a Masculinity Gender Identity within Black Metal |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
177-184 |
| Fromm, Rainer |
Genese der Black Metal-Subkultur und des Neosatanismus in der Rockmusik |
2011 |
BPJM-Aktuell |
4 |
6-12 |
| Gafarov, Igor |
Qualitative Research in Understanding the Metal Community |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
73-78 |
| Gibson, Blair; Rosamilia, Armand |
From The Minds of Madness: The Origins of Heavy Metal Band Names |
2011 |
|
|
|
| Gligorijevic, Jelena |
The Global and the Local in Max Cavalera’s Music Projects |
2011 |
Etnomusikologian vuosikirja |
23 |
|
| Granholm, Kennet |
“Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music |
2011 |
Numen |
58 |
514-544 |
| Greene, Paul D. |
Electronic and affective overdrive: tropes of transgression in Nepal’s heavy metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
109-134 |
