Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Jacobson, Stephanie |
Heavy metal as the resurgence of classical music: a study on the influence of classical music and performance on the heavy metal culture |
2011 |
|
|
|
| Jaeckel-Dobschat, Andrea |
J.B.O.: Biographie des Blödsinns |
2011 |
|
|
|
| Johannesson, Ika; Klingberg, Jon Jefferson |
Blod, eld, död: en svensk metalhistoria |
2011 |
|
|
|
| Jousmäki, Henna |
Epistemic, interpersonal, and moral stances in the construction of us and them in Christian metal lyrics |
2011 |
Journal of Multicultural Discourses |
6 |
53-66 |
| Kahn-Harris, Keith |
Metal Studies: Intellectual Fragmentation or Organic Intellectualism? |
2011 |
Journal for Cultural Research |
15 |
251-253 |
| Kahn-Harris, Keith |
”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
200-227 |
| Kawano, Kei; Hosokawa, Shuhei |
Thunder in the Far East: the heavy metal industry in 1990s japan |
2011 |
Metal rules the globe: heavy metal music around the world |
|
247-270 |
| Kay, Alick |
Suicide, Metal Music and Expectancy Theory |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
133-142 |
| Kernchen, Daniel |
Virtuosität als Überlebensstrategie und Publikumsmagnet |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
183-194 |
| Klypchak, Brad |
‘How you gonna see me now’: Recontextualizing metal artists and moral panics |
2011 |
Popular Music History |
6 |
|
