| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Chaney, Damien; Petite, Antoine; Chaney, Ludovic (eds) |
État des lieux des musiques extrêmes: les albums essentiels d’un demi-siècle de transgression hard rock, métal, punk, hardcore & co |
2011 |
|
|
|
|
|
|
Lidauer, Rainer |
Extreme Metal |
2011 |
|
|
|
|
|
|
Hickam, Brian; Wallach, Jeremy |
Female Authority and Dominion: Discourse and Distinctions of Heavy Metal Scholarship |
2011 |
Journal for Cultural Research |
15 |
255-277 |
|
|
|
Gibson, Blair; Rosamilia, Armand |
From The Minds of Madness: The Origins of Heavy Metal Band Names |
2011 |
|
|
|
|
|
|
Fromm, Rainer |
Genese der Black Metal-Subkultur und des Neosatanismus in der Rockmusik |
2011 |
BPJM-Aktuell |
4 |
6-12 |
|
|
|
Hughes, Glenn; McIver, Joel |
Glenn Hughes: the autobiography : from Deep Purple to Black Country Communion |
2011 |
|
|
|
|
|
|
Helden-Sarnowski, Imke von |
Glocal Metal. Lokale Phänomene einer globalen Heavy Metal-Kultur |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
379-388 |
|
|
|
Kneer, Julia; Rieger, Diana; Frischlich, Lena; Munko, Daniel |
Goethe vs. Rammstein: Who is Allowed to Play with Madness? The Influence of Musical Taste on Prejudice against Heavy Metal Lyrics |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
3-14 |
|
|
|
Chaker, Sarah |
Götter des Gemetzels: Mediale Inszenierung von Tod und Gewalt im Death Metal |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
11-24 |
|
|
|
Hassemer, Simon Maria |
Green is the New Black (Metal): Wolves in the Throne Room, die amerikanische Romantik und Ecocriticism |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
263-277 |
|
