|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Mynett, Mark |
Sound at Source: The creative practice of re-heading, dampening and drum tuning for the contemporary metal genre |
2011 |
Journal on the Art of Record Production |
5 |
n.-p. |
|
|
Weston, Donna |
Basque Pagan Metal: View to a primordial past |
2011 |
European Journal of Cultural Studies |
|
|
|
|
Hassan, Nedim |
”Girls, girls, girls”? The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years |
2011 |
Popular Music History |
5 |
243-263 |
|
|
Dairianathan, Eugene |
Soundscapes in Vedic metal: a perspective from Singapore |
2011 |
Perfect Beat |
12 |
167-189 |
|
|
Gligorijevic, Jelena |
The Global and the Local in Max Cavalera’s Music Projects |
2011 |
Etnomusikologian vuosikirja |
23 |
|
|
|
Laaksonen, Laura; Ainamo, Antti; Karjalainen, Toni-Matti |
Entrepreneurial passion: an explorative case study of four metal music ventures |
2011 |
Journal of Research in Marketing and Entrepreneurship; Spokane |
13 |
18-36 |
|
|
Jousmäki, Henna |
Epistemic, interpersonal, and moral stances in the construction of us and them in Christian metal lyrics |
2011 |
Journal of Multicultural Discourses |
6 |
53-66 |
|
|
Riches, Gabrielle |
Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality |
2011 |
Journal for Cultural Research |
15 |
315-332 |
|
|
Vasan, Sonia |
The Price of Rebellion: Gender Boundaries in the Death Metal Scene |
2011 |
Journal for Cultural Research |
15 |
333-349 |
|
|
Hill, Rosemary Lucy |
Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community |
2011 |
Journal for Cultural Research |
15 |
297-313 |
|