Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Giosuè, Fabrizio |
Folk metal : dalle origini al Ragnarök |
2013 |
|
|
|
| Granholm, Kennet |
Ritual Black Metal: Popular Music as Occult Mediation and Practice |
2013 |
Correspondences |
1 |
5-33 |
| Guibert, Gérôme |
Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France |
2013 |
Heavy metal: controversies and countercultures |
|
98-116 |
| Harbert, Benjamin J. |
Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha |
2013 |
The Arab Avant-Garde: Music, Politics, Modernity |
|
229-272 |
| Helden, Imke von |
Wikinger sucht Walküre: Zur Darstellung der Wikingerzeit im Heavy Metal |
2013 |
Geschlecht und Geschichte in populären Medien |
|
|
| Hesse, Roland |
Metal: Musik, Szene und Lebenseinstellung |
2013 |
|
|
|
| Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark |
Introduction: Heavy metal as controversy and counterculture |
2013 |
Heavy metal: controversies and countercultures |
|
1-16 |
| Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark (eds) |
Heavy metal: controversies and countercultures |
2013 |
|
|
|
| Hoad, Catherine |
’Hold the Heathen Hammer High’ Viking metal from the local to the global |
2013 |
Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference. |
|
62-70 |
| Hortua, Giovanni |
Bullets, drugs, and rock and roll: Colombian punk rock, heavy metal culture in a time of revolt and terrorism, 1979-1995 |
2013 |
|
|
|
