| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Riches, Gabby; Lashua, Brett |
Mapping the underground: An ethnographic cartography of the Leeds extreme metal scene |
2014 |
International Journal of Community Music |
7 |
223-242 |
|
|
|
Scott, Niall W.R. |
Black Confessions and Absu-lution |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
221-230 |
|
|
|
Podoshen, Jeffrey S.; Venkatesh, Vivek; Jin, Zheng |
Theoretical reflections on dystopian consumer culture: Black metal |
2014 |
Marketing Theory |
14 |
207-227 |
|
|
|
McFerran, Katrina |
Metal Made Me Who I Am: Seven Adult Men Reflect on Their Engagement with Metal Music During Adolescence |
2014 |
International Journal of Community Music |
7 |
205-222 |
|
|
|
Hecker, Pierre |
Metal und Metal Studies. Zugänge zu einem neuen Forschungsfeld. Nachwort |
2014 |
Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge |
|
189-194 |
|
|
|
Hoad, Catherine |
”Ons is saam” – Afrikaans metal and rebuilding whiteness in the Rainbow Nation |
2014 |
International Journal of Community Music |
7 |
189-204 |
|
|
|
Spracklen, Karl |
True Norwegian Black Metal — The Globalized, Mythological Reconstruction of the Second Wave of Black Metal in 1990s Oslo |
2014 |
Sounds and the City: Popular Music, Place and Globalization |
|
183-195 |
|
|
|
Thacker, Eugene |
Three Questions on Demonology |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
179-220 |
|
|
|
Johnson, Henry |
Music-making in the faroes: The experience of music-making in the faroes and making metal faroese (book review) |
2014 |
Island Studies Journal |
9 |
176-178 |
|
|
|
Höpflinger, Anna-Katharina |
”Alles im schwarzen Bereich”. Ein kulturwissenschaftlicher Zugang zu Kleidung im Heavy Metal |
2014 |
Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge |
|
173-188 |
|
