| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Coggins, Owen |
Nationalist Black Metal, Black Metal Nation |
2014 |
Writing Difference: Literature, Identity and Nationalism |
|
460-481 |
|
|
|
Simão, Pedro |
Heavy Metal as a new tourism trend? A theoretical analysis on the Tourism-Heavy Metal Relationship |
2014 |
Tms Algarve 2014 – Management Studies International Conference |
|
n.p. |
|
|
|
Brown, Andy R.; Griffin, Christine |
’A cockroach preserved in amber’: the significance of class in critics’ representations of heavy metal music and its fans |
2014 |
The Sociological Review; Keele |
62 |
|
|
|
|
Calvo, Manuela |
Diálogos que construyen un modo de nacionalismo argentino en el metal pesado argento de Almafuerte |
2014 |
Tensiones, tránsitos y desplazamientos. Reflexiones desde una perspectiva comparatística |
|
120-137 |
|
|
|
Weinstein, Deena |
Birmingham’s postindustrial metal |
2014 |
Sounds and the City: Popular Music, Place and Globalization |
|
38-54 |
|
|
|
Spracklen, Karl |
True Norwegian Black Metal — The Globalized, Mythological Reconstruction of the Second Wave of Black Metal in 1990s Oslo |
2014 |
Sounds and the City: Popular Music, Place and Globalization |
|
183-195 |
|
|
|
Mayer, Adam; Timberlake, Jeffrey M. |
”The Fist in the Face of God”: Heavy Metal Music and Decentralized Cultural Diffusion |
2014 |
Sociological Perspectives; Thousand Oaks |
57 |
|
|
|
|
Weinstein, Deena |
Just so stories: how heavy metal got its name—A cautionary tale |
2014 |
Rock Music Studies |
1 |
36-51 |
|
|
|
Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
|
|
|
Ribaldini, Paolo |
A Conceptual Connection Between Classic Heavy Metal and World War I: The Case of Iron Maiden’s ’Paschendale’ and Motörhead’s ’1916’ |
2014 |
New Sound: International Journal of Music; Belgrade |
44 |
96-108,219 |
|
