| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Ribaldini, Paolo |
A Conceptual Connection Between Classic Heavy Metal and World War I: The Case of Iron Maiden’s ’Paschendale’ and Motörhead’s ’1916’ |
2014 |
New Sound: International Journal of Music; Belgrade |
44 |
96-108,219 |
| Scheller, Jörg |
Adorning Heavy Metal Kritische Theorie als Verstärker der Metal-Forschung |
2014 |
Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge |
|
33-46 |
| Overell, Rosemary |
Affective intensities in extreme music scenes: cases from Australia and Japan |
2014 |
|
|
|
| Elovaara, Mika |
Am I Evil? The meaning of metal lyrics to its fans |
2014 |
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music |
|
35-50 |
| Hickam, Brian |
Amalgamated anecdotes: Perspectives on the history of metal music and culture studies |
2014 |
Metal Music Studies |
1 |
5-23 |
| Thibodeau, Anthony J. |
Anti-colonial Resistance and Indigenous Identity in North American Heavy Metal |
2014 |
|
|
|
| Masciandaro, Nicola |
Anti-Cosmosis: Black Mahapralaya |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
67-92 |
| Ribaric, Max; Maspero, Davide |
As wolves among sheeps: la saga funeste du NSBM |
2014 |
|
|
|
| Wilson, Scott |
BAsileus philosoPHOrum METaloricum |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
33-52 |
| Coelho, Patrícia |
Batendo cabeças: educação estética e política tecidas a partir do Heavy Metal |
2014 |
|
|
|
