| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Anders, Melanie |
Intertextualität in Heavy Metal Songtexten |
2014 |
|
|
|
| Weinstein, Deena |
Just so stories: how heavy metal got its name—A cautionary tale |
2014 |
Rock Music Studies |
1 |
36-51 |
| Daniels, Neil |
Killers: the origins of Iron Maiden |
2014 |
|
|
|
| McIver, Joel |
Know your enemy: Rage Against the Machine |
2014 |
|
|
|
| Martínez Navajas, Jesús |
La influencia de la narrativa Fantástica de H. G. Wells en el Rock’n’Roll |
2014 |
Didáctica: Lengua y Literatura |
26 |
285-304 |
| Culot, Julie |
La ”métallisation” du genre: anthropologie des identités de genre dans le ”milieu” de la musique métal (Belgique) |
2014 |
|
|
|
| LeVine, Mark |
Le metal dans les pays musulmans : cette jeunesse qui a contribué au Printemps arabe |
2014 |
|
|
|
| Geliebter, David; Ziegler, Ari J.; Mandery, Evan |
Lyrical stresses of heavy metal and rap |
2014 |
Metal Music Studies |
1 |
143-153 |
| Riches, Gabby; Lashua, Brett |
Mapping the underground: An ethnographic cartography of the Leeds extreme metal scene |
2014 |
International Journal of Community Music |
7 |
223-242 |
| Stosuy, Brandon |
Meaningful Leaning Mess |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
143-156 |
