| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Brown, Andy R.; Griffin, Christine |
’A cockroach preserved in amber’: the significance of class in critics’ representations of heavy metal music and its fans |
2014 |
The Sociological Review; Keele |
62 |
|
| Zaddach, Wolf-Georg |
»30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal |
2014 |
Lied und Populäre Kultur; Münster |
59 |
227-241,293 |
| Mayer, Adam; Timberlake, Jeffrey M. |
”The Fist in the Face of God”: Heavy Metal Music and Decentralized Cultural Diffusion |
2014 |
Sociological Perspectives; Thousand Oaks |
57 |
|
| Ribaldini, Paolo |
A Conceptual Connection Between Classic Heavy Metal and World War I: The Case of Iron Maiden’s ’Paschendale’ and Motörhead’s ’1916’ |
2014 |
New Sound: International Journal of Music; Belgrade |
44 |
96-108,219 |
| Griffin, Hollis |
Hair Metal Redux: Gendering Nostalgia and Revising History on VH1 |
2014 |
Journal of Popular Film & Television; Washington |
42 |
|
| Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
| Martínez Navajas, Jesús |
La influencia de la narrativa Fantástica de H. G. Wells en el Rock’n’Roll |
2014 |
Didáctica: Lengua y Literatura |
26 |
285-304 |
| Scott, Niall |
Seasons in the Abyss: Heavy Metal as Liturgy |
2014 |
Diskus. The Journal of the British Association for the Study of Religions |
16 |
12-29 |
| Coggins, Owen |
Citation and Recitation in Mystical Scholarship and Om’s Drone Metal |
2014 |
Diskus, Journal of the British Association for the Study of Religion |
16 |
30-47 |
| Podoshen, Jeffrey S.; Venkatesh, Vivek; Jin, Zheng |
Theoretical reflections on dystopian consumer culture: Black metal |
2014 |
Marketing Theory |
14 |
207-227 |
