|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Clifford-Napoleone, Amber R. |
Queerness in Heavy Metal Music: Metal Bent |
2015 |
|
|
|
|
|
Clifford-Napoleone, Amber R. |
Living in the margins: Metal’s self-in-reflection |
2015 |
Metal Music Studies |
1 |
379-384 |
|
|
Clifford-Napoleone, Amber R. |
The Ones You Serve: Bdsm, Industrial Metal, And The Machine |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
257-264 |
|
|
Clinton, Esther; Wallach, Jeremy |
Recoloring The Metal Map: Metal And Race In Global Perspective |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
274-282 |
|
|
Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2015 |
Journal of Implicit Religion |
18 |
209-231 |
|
|
Coggins, Owen |
Experience, Practice, Writing: A Methodological Outline Of Drone Metal Research |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
354-365 |
|
|
Cooper, Gabriel |
Die lustige Globalisierung des Metals und seine düstere Zukunft in der Zeichentrickserie Metalocalypse |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
89-106 |
|
|
Dawes, Laina |
Challenging an ‘Imagined Community’: Discussions (or lack thereof) of black and queer experiences within heavy metal culture |
2015 |
Metal Music Studies |
1 |
385-393 |
|
|
Dederichs, Natalie |
Grün ist das neue Schwarz. Environ-Metal als Ausdruck umweltpolitisches Protests |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
89-106 |
|
|
Dendinger, Reuben |
The way of the sword: Christianity, fascism, and the folk magic of black metal |
2015 |
Helvete: A Journal of Black Metal Theory |
2 |
29-38 |
|