Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Cardwell, Thomas |
Still life and death metal: painting the battle jacket |
2017 |
|
|
|
| Cardwell, Tom |
Battle jackets, authenticity and ‘material individuality’ |
2017 |
Metal Music Studies |
3 |
437-458 |
| Caron, J.-P. |
On the transcendental aesthetics of time stretching |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
128-138 |
| Cascone, Kim |
Transcendigital imagination. Developing organs of subtle perception |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
28-35 |
| Chiu, Hsiang; de Seta, Gabriele |
Headbanging in Taiwan |
2017 |
Metal Music Studies |
3 |
335-343 |
| Clifford-Napoleone, Amber R. |
Queerness in heavy metal music: metal bent |
2017 |
|
|
|
| Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2017 |
Religion and Media |
|
s.p. |
| Coggins, Owen |
Unstable Metaphors for the Inaccessible: Mysticism, Blackletter, Drone Metal |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
15-27 |
| Coggins, Owen |
A Spectre So Violent: Monstrous Logic and the Malevolent City in the Music of Skinny Puppy |
2017 |
Urban Monstrosities: Perversity and Upheaval in the Unreal City |
|
108-127 |
| Coggins, Owen; Harris, James |
Circular scaffold |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
6-9 |
